276 RELEASES DEEP: INSIDE THE DISCOGRAPHY

A discography is more than a list of songs. Zoom out far enough and it turns into a map — of the people you've made records with, the labels that backed them, and the tracks that refused to sit still. After 276 release credits across 35+ labels, mine finally has enough shape that you can read something in it.

So I rebuilt the discography page from the ground up. Every original, remix, extended mix, and compilation appearance is now in one place — fully searchable and sortable. And putting it together made me want to write down what's actually in there, because the interesting part isn't the number. It's the patterns underneath it.

The people behind the records

A big share of those 276 credits aren't solo. The catalog is stitched together with a handful of collaborators I keep coming back to, and each partnership has its own signature:

• Crazy Fluke — "Sleep When I'm Dead" and "Together," plus a run of extended mixes that became some of the most-placed records I have. When a collaboration keeps generating tracks that travel, you keep the collaboration.
• Malle — "Bueno," "Bring It," "Dance MF," and "Ohh." This one leans into the rolling, functional end of tech house — records built to do a job on a dark floor.
• Tony Side — whose "Appeal" I remixed for Beachside Limited and LW Recordings. Remixing is its own discipline: you're serving someone else's idea while still leaving a fingerprint.
• T3KAS — "If You Feel," a different register again.

Collaboration isn't a footnote in this catalog. It's a large part of how it got built, and it's the first thing that jumps out when you start sorting by artist.

Tracks that travel

The thing you notice when you sort the catalog by title: some records show up again and again. "Sleep When I'm Dead," the Crazy Fluke collaboration, is the clearest example. It first landed on Hot Leaf Records, got picked up by RH2 across multiple extended releases, then Play This! Records and Variety Music — and from there into compilation contexts like The Gems of 2025 and Deep Tech: The Ultimate House Experience Vol. 08.

One record, many homes. That's exactly what an extended mix is for — it's built to travel, to hold its own across a curated set at pace, to keep finding new rooms to play in long after the original drop. A track earning that kind of second, third, and fourth life is one of the clearest signals that a collaboration is working.

The label family

276 credits across 35+ labels — but a few relationships carry more weight because they've lasted:

• BBop Music — home for a lot of my originals, from "The Sun" and "Let Me" back through "Vibin," "Heartbeat," "The Ritual," and more. When a label understands the kind of record you make, you give it the work.
• LW Recordings — one of the longest-running relationships in the catalog, spanning originals, remixes, extended mixes, and compilations from 2021 all the way to Minimal Movement Vol. 25.
• RH2, Platform 7even (part of the catalog since 2022), Beachside Limited / Beachside Records, Audio3K Music, Eisenwaren, and Play This! Records — the recurring names that make up the spine of the discography.
• And Toolroom Trax, whose Leaders Of The New School 2022 series was an early baseline — two appearances in the same year at one of the most recognized tech house labels in the world.

The compilation ecosystem

Eighty-two of those credits are compilation appearances, and compilations are their own language. They're not open submission — each one is a label editorially choosing the tracks that represent them. Across the catalog they come in a few distinct shapes:

• Anniversary collections — Twelve Years Eisenwaren, Platform 7even 11 Year Anniversary. A label goes back through its entire history and picks a short list to represent it. Being on that list is a vote of confidence.
• Year-end best-ofs — The Gems of 2025 on Hot Leaf Records. The most direct kind of editorial: what defined the year.
• Forward-looking samplers — Global House Sounds 2026 (RH2) and the Miami Music Week Sampler, which put the work in a next-year context before the calendar even turns.
• Volume series — Minimal Movement, Deep Tech: The Ultimate House Experience, The Best Of Tech House. Passing the same curatorial filter, release after release.

Getting onto 82 of these since 2019 is quietly the part of the catalog I'm proudest of — because it's the part other people chose.

Now you can dig through it yourself

The old discography page was a static wall of text. Honest, complete, and genuinely hard to get through. The new one at remiblaze.com/music/discography is built to be explored:

• Search any title, collaborator, label, or genre — type "Crazy Fluke" and watch every collaboration surface at once.
• Sort any column. Sort by year to trace the timeline from 2018 forward and watch the catalog grow.
• Filter originals from remixes from extended mixes from radio edits — or jump straight to the 82 compilation appearances, filterable by label and year.

It's the whole story in one place, and for the first time it's actually browsable. Go pull a thread — search a label you recognize, or sort by year and start at the beginning.

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